Exhibitions and Events

Film

Dan Petrie Retrospective

15 – 24 September, 2005

The Nova Scotian-born Hollywood-based film director, producer, editor and script writer Daniel Petrie Senior was one of the most respected Canadian motion picture artists. A contemporary of giants such as Arthur Penn, Martin Scorsese and Robert Altman, his work has rarely been considered in the same context despite the many awards he won over nearly 50 years of filmmaking.

Marine Landscape, 1999-2000 [catalogue 1]
Exhibition

Susan Feindel: Scan

19 August – 2 October, 2005

Through paintings, videos, bookworks and mixed-media installations, Nova Scotian artist Susan Feindel continues her investigations into remote sensing in marine and medical environments.

Susan G. Scott, As For Me, I Still Have You Here, 1994
Exhibition

States of Being: Works by contemporary Canadian women selected from the permanent collection

19 August – 2 October, 2005

By their titles, their imagery or their physical presentation, these works suggest a variety of emotional or metaphysical states of being.

Exhibition

About 1789: Etchings by Tony Scherman

19 August – 2 October, 2005

Quirky, iconic images of shoes, flowers, animals, severed heads and slices of pie embody the artist’s personal interpretation of violent historical periods, such as the Reign of Terror in revolutionary France. This group of twelve etchings by contemporary Toronto-based artist Tony Scherman demonstrate his skillful use of intaglio processes. It has been researched and selected from the Gallery’s permanent collection by Eliza Chandler.

Film

Portrait of the Artist

1 – 29 June, 2005

1 June: Superstar: The Life and Times of Andy Warhol

Chuck Workman, USA, 1991, 87 minutes. Hands down the best and most entertaining documentary on the great American Pop artist, this film collects testimonials from Warhol’s oddball relatives, his associates in the Factory demimonde, and even a Campbell’s Soup spokesman, in an attempt to unravel the mystery behind Warhol’s sphinx-like visage.

8 June: Basquiat

Exhibition

Likeness: Portraits of Artists by Other Artists

29 May – 31 July, 2005

Curator Matthew Higgs brings together an international cast of artists (including Roy Arden, AA Bronson, Heather Cantrell, Chuck Close, Nan Goldin, Robert Mapplethorpe, and Richard Prince) who have made portraits of other artists (such as Louise Bourgeois, David Hockney, Mary Kelly, Felix Partz, Dieter Roth, Cindy Sherman, Andy Warhol and many more) in a variety of media, offering the viewer an intimate look inside a usually private and privileged milieu. 

Event

Art at Home and All That Jazz

10 April, 2005

Our popular annual fund-raiser returns on Sunday, 10 April, from 1:30 pm to 6 pm. Enjoy fine art, architecture and craft in four notable private houses in Halifax, followed by a live jazz performance in the Gallery, accompanied by delicious refreshments. Only 200 tickets are sold for this event. Mark the date in your calendar now!

Alex Livingston, Water and Land Paintings (Series 2) 2001-2 Acrylic on canvas 18 parts, 20.3x25.4 each
Exhibition

Alex Livingston: Paintings 1985-2005

11 March – 15 May, 2005

Opening: Thursday, 10 March at 8 pm


Film

Two by Two: Breakthrough and follow-up films by Black directors Charles Burnett and Kasi Lemmons

1 – 23 February, 2005

In the 1990s African-American Cinema flourished in the wake of directors such as Spike Lee and John Singleton, filmmakers whose work reflected an urban and often aggressive outlook. However, two accomplished Black cineastes, Charles Burnett and Kasi Lemmons, made breakthrough films in the 1990s that suggested an original and less rhetorical direction for African-American Cinema. Two of their films, Burnett's To Sleep With Anger and Lemmons' Eve's Bayou, have become established landmarks.

Film

Roman Polanski: Master of Psychology

19 January – 6 April, 2005

The life and work of the controversial and accomplished Polish director Roman Polanski continues to provoke debate. While his Oscar-winning The Pianist (2002) brought him a new generation of fans, his earlier work from the 1957 to 1980 deftly balanced mainstream popularity with genuine originality, mining a range of cinematic genres for their psychological potential.

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