Events
Four Centuries of Shakespeare
SCREENINGS WEDNESDAYS AT 8 PM. FREE ADMISSION
The year 2016 marks four hundred years since William Shakespeare’s death. The Bard’s works continue to inspire and confound, with significant motion picture versions appearing on a regular basis. In this series, films have been chosen for manageable durations as well as their overall quality. The series begins and ends with films about The Bard, kicking off with the Oscar-Winning Shakespeare in Love and concluding with Anonymous, which questions Shakespeare’s authorship.
Opening of Three Exhibitions
Opening Reception for the exhibitions "And yet we still remain, going around, and again in dominion's plot", Lisa Hirmer: Dirt Piles, Landscapes/Displacement, Respect the Dress: A Selection of Regal Garments from the Collection of The Honourable Mayann Francis, ONS, the 31st Lieutenant Governor of the Province of Nova Scotia and Stitched Stories: The Family Quilts.
The Easter Rising: Ireland One Hundred Years Later
2016 marks the 100th anniversary of the Easter Rising, long considered the inciting incident that led, eventually, to Irish independence. The three films in this short series all look at that extraordinary moment, also timed to coincide with Saint Patrick’s Day.
15 March - Odd Man Out
Opening reception
Opening reception for What were we going to call this show? and Archives of the Future.
African Heritage Month: First Films by Black Filmmakers
SCREENINGS TUESDAYS AT 5 PM. FREE ADMISSION
2 February - She’s Gotta Have It
Spike Lee, USA, 1986, 84 minutes. An independently minded 80s African-American female must choose between multiple suitors–one of them played by the director himself–in this precise and energetic debut feature from the now legendary filmmaker Spike Lee.
9 February - Dear White People
The Art of Film Noir II
Now recognized as one of the most sharply defined of all popular cinematic styles, Film Noir’s reach moved past its Southern California origins to influence filmmakers around the world. In this second series of Noirs presented by the Dalhousie Art Gallery, that global reach is represented by films from England, France, and Japan, with a concentration on films by American directors who were ultimately blacklisted in Hollywood, including Abraham Polonsky, Frank Tuttle, Dalton Trumbo, Edward Dmytryk, Cy Endfield, Jules Dassin, and Joseph Losey.
Opening reception
Opening reception for “Why are we saving All these artist publications + Other Galleries stuffs?”, Gleaning a Song: The Singing Voice as Artifact in Media Art and Eyelevel Reshelving Initiative 7.
Mark Gilbert Artist Talk
Dalhousie Art Gallery is pleased to present an artist's talk by Mark Gilbert, in conjunction with the screening of Midge Mackenzie's documentary, Saving Faces, which appears in this year's Student, Staff, Faculty, and Alumni Exhibition.