Exhibitions and Events
Werner Herzog Survey
Along with Wim Wenders, Werner Herzog is the most recognizable of the New German filmmakers who emerged in the 1970s. His questing, unconventional attitude has resulted in an ongoing career that alternates drama and documentary with a quizzical sense of humour and a generous sense of humanity. In the last decade, however, Werner Herzog has reached a new plateau of cinematic expressiveness that sees his own bemused personality take centre stage. We are pleased to present a short retrospective of his work, with a concentration on his most recent films.
Cult Films at Five
The annual collaboration between the Dalhousie Art Gallery and the Atlantic Film Festival will present seven classic cult films for free viewing at five o’clock for the week of the festival. This year’s selection consists of controversial, late-night and niche films that have built their reputations outside of mainstream exhibition in unconventional public screenings.
DAILY SCREENINGS AT 5 PM. FREE ADMISSION.
Jamelie Hassan: At the Far Edge of Words
ARTIST’S PRESENTATION Thursday 22 September at 8 PM This survey exhibition traces four decades of art-making by London, Ontario artist Jamelie Hassan and presents a body of work that intertwines her enduring interests in text, language, memory, personal history, and identity. Her pioneering practice steadfastly asserts that artists have a responsibility to address the critical issues of our time, while her geographical location in the ‘regions’ of Southwestern Ontario grounds her practice.
Materials and Space: A Selection of Recent Acquisitions 2007 - 2010
Displayed in two sections, this exhibition presents a selection of contemporary works from the Gallery’s permanent collection that have been acquired since Peter Dykhuis was appointed Director/Curator in August, 2007. The works in the first section share an origin in the practice of process art combined with a post-conceptualist, utilitarian approach to materials. Ten are by Garry Neill Kennedy, former President of the Nova Scotia College of Art and Design, and were donated to the Gallery by the artist in 2010.
Second Impressions
In 2008, the Gallery was very fortunate to receive an extensive collection of re-strike etchings (prints carefully produced from original, historic etching plates), woodcuts, linocuts, lithographs and offset lithographic images, etchings and engravings, and letterpress pages. Donated by a collector who prefers to remain anonymous, this is the first major acquisition for the Gallery’s Print Study Collection – a subset of the Permanent Collection – since its formation in 1926 with a gift from the Carnegie Corporation.
Traffic: Conceptual Art in Canada 1965-1980
Traffic: Conceptual Art in Canada 1965–1980 is the first major exhibition to focus on the influence and manifestations of conceptual art in Canada, a movement that can be largely understood through Sol LeWitt’s famous 1967 statement that “the idea becomes a machine that makes the art”.
African American Film Biographies
Iconic leaders of the African American Civil Rights Movement are the focus of this series that presents the struggles for Afrocentric identity as seen through the eyes of African American filmmakers immersed in the Black Experience.
Last Takes: Final Films by Great Directors
Critics such as Edward Said have written extensively about the late works of composers and other artists but relatively little light has been shed on the last films by significant film directors.
Betty Goodwin: Darkness and Memory
OPENING RECEPTION Thursday 13 January at 8 pm A constant presence on the Montréal art scene since the late 1960s, Betty Goodwin (Montréal, 1923-2008) is recognized as one of the leading figures of contemporary Canadian art. In 2003 the Dalhousie Art Gallery presented The Prints of Betty Goodwin, organized by the National Gallery of Canada, which featured a rich selection of iconic prints by the artist.