Exhibitions and Events
Opening Reception for 66th Annual Student, Staff, Faculty, and Alumni Exhibition
Free Admission—all are welcome!
Snacks and refreshments will be served. Join the Facebook Event here.
Atmospheric Events: James Geurts, Andreas Schmid, Christine Sciulli
Presented as part of RESPONSIVE: International Light Art Project Halifax
Featuring the work of James Geurts (Melbourne), Andreas Schmid (Berlin), and Christine Sciulli (New York City), Atmospheric Events brings together three multi-media installations that consider the ephemeral, mutable aspects of our environments—natural, architectural, and individual—and how we experience and perceive the atmospheres around us.
Public Reception for Atmospheric Events
Dalhousie Art Gallery is pleased to invite you to the reception for Atmospheric Events: James Geurts, Andreas Schmid, Christine Sciulli. Curated by Peter Dykhuis and Dr. Ralf Seippel, the exhibition is part of RESPONSIVE: International Light Art Project Halifax. Visiting artists Andreas Schmid (Berlin) and Christine Sciulli (New York) will be in attendance. Admission is free and all are welcome.
Opening Reception for Nature as Communities and Human/Nature
This year’s From the Vault exhibition augments the explorations of environment and sustainability presented in Nature as Communities, and features photography-based works from the Gallery’s permanent collection that probe various points of intersection between nature and our human natures.
Public Reception for Nature as Communities and From the Vault: Human/Nature
Dalhousie Art Gallery is pleased to invite you to the reception for Nature as Communities, curated by Jennifer Yakamovich, and From the Vault: Human/Nature, curated by Michele Gallant. The curators and some of the participating artists will be present, with opening remarks around 5:30 pm, for which ASL interpretation will be provided. Admission is free and all are welcome.
Join the Facebook Event: https://www.facebook.com/events/324409821606582/
Nature as Communities
Diyan Achjadi, PA System & Embassy of Imagination (Alexa Hatanaka and Patrick Thompson, and youth collaborators: David Pudlat, Moe Kelly, Christine Adamie, Nathan Adla, Lachaolasie Akesuk), Ayoka Junaid, Becoming Sensor (Ayelen Liberona and Natasha Myers, with sound composer Allison Cameron), Sandra Semchuk, Jay White and Jennifer Schine

Heather MacLeod, Point Pleasant, Picnic Table on a Hill, Halifax, 2002. Dalhousie Art Gallery Permanent Collection
From the Vault: Human/Nature
This year’s From the Vault exhibition augments the explorations of environment and sustainability presented in Nature as Communities, and features photography-based works from the Gallery’s permanent collection that probe various points of intersection between nature and our human natures.

D’Arcy Wilson, Diorama of the Gardens; a reconstruction of Downs' Zoological Gardens (detail), 2016. Photo courtesy of the artist.
Visite guidée en français de l'exposition en cours D’Arcy Wilson: The Memorialist
L’équipe de la galerie vous invite chaleureusement à une visite guidée en français de l'exposition en cours D’Arcy Wilson: The Memorialist le jeudi 21 mars 2019 à 19h00.
L'entrée est gratuite et tous sont bienvenus. Une réservation est fortement conseillée via ce formulaire: https://www.eventbrite.ca/o/dalhousie-art-gallery-19672922183
Cette visite guidée sera animée par Lisa Bouraly, muséologue et commissaire indépendante.

D'Arcy Wilson, (excerpt from) Museology, 2015-2016, archival inkjet print on paper. Documentation by Chris Friel
The Memorialist: Keynote Address
MacAloney Room (406), 4th Floor, Dalhousie Arts Centre
FREE ADMISSION

Dendragapus canadensis, USNM A 12565, The Smithsonian Institution. Date collected: 28 July 1847, Date Visited: 24 May 2016. Archival Inkjet Print, 20" x 26", 2016. Photo Credit: Chris Friel
D’Arcy Wilson: The Memorialist
Andrew Downs’ Zoological Gardens opened in Halifax, Nova Scotia, at the edge of town in 1847. Stretching over one hundred acres in the area adjacent to what is now known as the Armdale Roundabout, for more than 20 years the Gardens housed regional and exotic animals in sprawling wooded enclosures. The proprietor, known to care deeply for the animals in his keep, was also a master taxidermist, supplying specimens to the world’s leading scientific institutions of the time.