Exhibitions and Events
Symposium
In commemoration of the United Nations 3rd Decade Against Racism, Xenophobia and Related Intolerance, the James Robinson Johnston Chair in Black Canadian Studies (Dalhousie University), in partnership and collaboration with an ensemble of local, national and international organizations, is convening an international Symposium in Halifax from 5-12 August.
Back to the Land: early 20th century landscapes in the permanent collection
The works in this exhibition were all in one way or another associated with the period in which Canadian landscape painting came of age: the first half of the 20th century, when the Canadian Group of Seven and associated artists brought the raw, rugged beauty of the landscape into national consciousness, separating it for ever from the more "refined" European-influenced visions of the land that preceded them. Paintings and drawings by A.Y. Jackson, A.J. Casson, J.E.H.
Black Body: Race, Resistance, Response
Curator Pamela Edmonds brought together the diverse works of six contemporary black artists around the issue of the racialized body. Works ranged from the elegant photographic nudes of Toronto-based Michael Chambers to Halifax-based Chrystal Clements' poignant icons of domesticity and community. African oral traditions and visual sensibilities were evident in Gomo George's assemblages, while formal pyramidal structures and grids reinforced Rebecca Fiske's investigations of "colourism".
Reel Baroque
From Restoration comedy and costume drama to masques and early opera, enjoy the sumptuous sounds and visions of the Baroque era in these extraordinary films.
During the Scotia Festival of Music, the Gallery is pleased to present the following eight films, selected by the Gallery's film curator Ronald Foley Macdonald, in honour of this year's orchestra-in-residence: the Tafelmusik Baroque Orchestra.
Monday, 28 May - Restoration
Michael Hoffman, USA, 1996, 118 minutes
My Home and Native Land: Bobby Nock videos
Cape Breton-based artist Bobby Nock offered an affectionately ironic take on local culture in this exhibition of five videos grouped under the title My Home and Native Land: The Red Bush in Waycobah Series. The colour red, the primacy of the Group of Seven in Canadian art history, indigenous Mi'kmaq and imported Scots-Gaelic traditions, and a tourist's vision of scenic Nova Scotia became intertwined and then unravelled in Nock's dead-pan videomaking style.
Artists in a Floating World: The Marion McCain Atlantic Art Exhibition 2000
Curator Tom Smart describes the purpose of Artists in a Floating World as exploring "strange worlds and allusive meanings in the work of a selection of artists living in Atlantic Canada." Taking Alex Colville's painting Embarkation and Christopher Pratt's painting Big Cigarette as starting points, Smart selected artworks whose pictorial composition suggests other worlds -- "floating worlds" in which the sea itself often plays a determining role. A condensed version of this exhibition was organized for a cross-Canada tour by the Beaverbrook Art Gallery.
Art/Nature: An Illustrated talk by Lorraine Gilbert
Boréal Art/Nature is an Artist-run centre in the boreal forst of Quebec's northern Laurentian Mountains. We are interested in the exploration of relationships between contemporary art and ideas about nature. We create a context for this research by organizing collective international and multidisciplinary projects through creative wilderness immersion that we call "art/nature". We also host thematic residencies at our Center in La Minerve, Quebec, where we invite established and emerging artists to work with us.
Six by Kurosawa
Curated by Ron Foley Macdonald, this brief, intense survey presents some key works by the legendary Japanese filmmaker Akira Kurosawa. From his early international breakthrough Rashomon to his monumental epic Ran, this series reveals Kurosawa's mastery of narrative and historical detail, and includes a selection of filsm inspired by western literary works, as well as those that inspired remakes by western filmmakers.
Screenings are every Wednesday at 12:30 pm and 8:00 pm in the Gallery.
7 March - Eastern Mirror, Western Echo
Moving Pictures Festival of Dance on Film and Video
In collaboration with Live Art Productions the Dalhousie Art Gallery will present a program of special dance film screenings on Thursday, Friday and Saturday, February 22, 23 and 24, 6:30pm to 7:30 pm. This annual event explores the intersections of dance and the camera, and includes a spotlight on Italian artists, a selection of Canadian premières as well as works from around the globe.
Space Aliens
Organized to complement the exhibition William Eakin: Have a Nice Day, on view from 12 January - 25 February, 2001, this series explores concepts of Alien life as presented in films from the 1930s to the 1970s.
17 January - The Shape of Things to Come
W.C. Menzies, UK, 92 minutes
One of the most important early science fiction films, H. G. Well's future included a devastating war and a society eventually rebuilt through technological mastery. The aliens in the film are, of course, ourselves.