Exhibitions and Events

Film

Reel Baroque

28 May – 8 June, 2001

From Restoration comedy and costume drama to masques and early opera, enjoy the sumptuous sounds and visions of the Baroque era in these extraordinary films.

During the Scotia Festival of Music, the Gallery is pleased to present the following eight films, selected by the Gallery's film curator Ronald Foley Macdonald, in honour of this year's orchestra-in-residence: the Tafelmusik Baroque Orchestra.

Monday, 28 May - Restoration

Michael Hoffman, USA, 1996, 118 minutes

Exhibition

My Home and Native Land: Bobby Nock videos

11 May – 24 June, 2001

Cape Breton-based artist Bobby Nock offered an affectionately ironic take on local culture in this exhibition of five videos grouped under the title My Home and Native Land: The Red Bush in Waycobah Series. The colour red, the primacy of the Group of Seven in Canadian art history, indigenous Mi'kmaq and imported Scots-Gaelic traditions, and a tourist's vision of scenic Nova Scotia became intertwined and then unravelled in Nock's dead-pan videomaking style.

Linda Rae Dornan, Shroud of Laughter, 2000
Exhibition

Artists in a Floating World: The Marion McCain Atlantic Art Exhibition 2000

11 May – 24 June, 2001

Curator Tom Smart describes the purpose of Artists in a Floating World as exploring "strange worlds and allusive meanings in the work of a selection of artists living in Atlantic Canada." Taking Alex Colville's painting Embarkation and Christopher Pratt's painting Big Cigarette as starting points, Smart selected artworks whose pictorial composition suggests other worlds -- "floating worlds" in which the sea itself often plays a determining role. A condensed version of this exhibition was organized for a cross-Canada tour by the Beaverbrook Art Gallery.

Event

Art/Nature: An Illustrated talk by Lorraine Gilbert

5 April, 2001

Boréal Art/Nature is an Artist-run centre in the boreal forst of Quebec's northern Laurentian Mountains. We are interested in the exploration of relationships between contemporary art and ideas about nature. We create a context for this research by organizing collective international and multidisciplinary projects through creative wilderness immersion that we call "art/nature". We also host thematic residencies at our Center in La Minerve, Quebec, where we invite established and emerging artists to work with us. 

Film

Six by Kurosawa

7 March – 25 April, 2001

Curated by Ron Foley Macdonald, this brief, intense survey presents some key works by the legendary Japanese filmmaker Akira Kurosawa. From his early international breakthrough Rashomon to his monumental epic Ran, this series reveals Kurosawa's mastery of narrative and historical detail, and includes a selection of filsm inspired by western literary works, as well as those that inspired remakes by western filmmakers.

Screenings are every Wednesday at 12:30 pm and 8:00 pm in the Gallery.

7 March - Eastern Mirror, Western Echo

Film

Moving Pictures Festival of Dance on Film and Video

22 – 24 February, 2001

In collaboration with Live Art Productions the Dalhousie Art Gallery will present a program of special dance film screenings on Thursday, Friday and Saturday, February 22, 23 and 24, 6:30pm to 7:30 pm. This annual event explores the intersections of dance and the camera, and includes a spotlight on Italian artists, a selection of Canadian premières as well as works from around the globe.

Film

Space Aliens

17 January – 21 February, 2001

Organized to complement the exhibition William Eakin: Have a Nice Day, on view from 12 January - 25 February, 2001, this series explores concepts of Alien life as presented in films from the 1930s to the 1970s.

17 January - The Shape of Things to Come

W.C. Menzies, UK, 92 minutes

One of the most important early science fiction films, H. G. Well's future included a devastating war and a society eventually rebuilt through technological mastery. The aliens in the film are, of course, ourselves. 

Justin Augustine, The Faith Catchers, 2000
Exhibition

Justin Augustine: Within Boundaries

12 January – 25 February, 2001

Artist's Statement: My paintings depict images of young black persons transfixed in an otherworldly space. The figures occupy the foreground against what, at first glance, appears to be an ambiguous background. However, they are not realistic portraits of actual individuals. Rather, they are composites, placed in scenes which frame and dominate my childhood memories of my homeland, the Caribbean island of Dominica. By placing the figures against warm, lightly coloured and sharply contrasted architecture, further memories of a tropical climate are invoked. 

Exhibition

William Eakin: Have a Nice Day

12 January – 25 February, 2001

Have a Nice Day is a selection of William Eakin's photographs that explores contemporary society's obsession with UFOs, aliens, and extraterrestrial phenomena. Produced over a ten-year period, the photo-installation contains 30 large-scale images, representing several distinct bodies of work. These include Eakin's UFO sighting pictures, alien portraits, alien tableaux, and cryptic photo-collages. Eakin's photographs are factitious-- a subtle mix of fact and fiction-- that deconstructs the alien myth in search of the socio-cultural meanings of our obsession.

Untitled (Boomerang), 1995
Exhibition

Richard Mueller: The Material of Thought

1 January – 23 April, 2001

This exhibition presented an examination of the complex work of Halifax-based artist Richard Mueller over the past 12 years. The selection covered some of his most engaging and challenging works, dating from the time he shifted focus from largely abstract painting to the compelling and poetic imagery of fire and light and the materials of industrial steel and glass that continue to occupy him today.

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