Exhibitions and Events
Home: The Art of Preston
" The community of Preston, consisting of East Preston, North Preston and Cherrybrook, is a part of the Halifax Regional Municipality and located to the north east of Dartmouth, Nova Scotia. Originally settled in the late 1700s by free Black Loyalists as well as enslaved Blacks, Preston represents one of Canada's most significant centres for Black History and culture. The vitality and richness of the culture in the Prestons was familiar to David Woods, who spent much of his youth in the community.
Ship Portraits in Nova Scotian Collections
In 1985, the Dalhousie Art Gallery invited Dr. Chalres Armour, then the University Archivist (now retired), to organize an exhibition of ship portraits. The exhibition, which included 24 fine examples of marine portraiture and was accompanied by an illustrated brochure, proved to be of great interest to the community, whether art-lovers or marine enthusiasts. It is with great pleasure, then, that we are once again able to work with Dr. Armour on a similar but much more comprehensive look at ship portraiture.
"Moving Outside the Frame: The Women Artists of the Automatiste Movement" on Thursday
Dr. Patricia Smart will present a lecture titled "Moving Outside the Frame: The Women Artists of the Automatiste Movement" on Thursday March 30 at 8pm. Feminist, literary critic, translator, award-winning writer, and author of Les Femmes du Réfus global, Dr. Smart is professor of French at Carleton University and a member of the Royal Society of Canada. Her lecture will be of interest to a broad cross-section of scholars and members of the public, in particular those interested in art history, Canadian studies, women's studies, and 20th-century cultural changes in Quebec.
Symposium: The Interface between New Technologies and Contemporary Art
SYMPOSIUM -- Engaging the Virtual: The Interface between New Technologies and Contemporary Art
The program will include short lectures, presentations and open discussions that deal with the imaginative use of new media, including computer imaging, robotics and websites, as well as other technologies, in works of art and design. It will also raise philosophical and critical questions about the interface between technology and creative human activity.
Program
All morning sessions wil takeplace in the Auditorium
Engaging the Virtual
Engaging the Virtual brings together some of Canada's foremost artists in the area of new media. Guest curator Doug Porter spent the past two years researching this exhibition, travelling across Canada, making studio visits, and attending confrences and symposia on new media and digital technologies. Doug is a digital and video artist himself, as well as a teacher and graphic designer, and his knowledge and experience in these areas have undoubtedly contributed to his thoughtful selections.
The Very Thing
How do we experience the "thingness" of sculpture, or discuss its"object-ness" in a postmodern critical climate? Co-curators Robin Metcalfe and Susan Gibson Garvey selected some elegant and provocative works by six contemporary Canadian sculptors whose practices may be described as "object-based" and whose works often revisit sculptural issues from the earlier 20th century - but with a contemporary twist. Quirky, mysterious, solemn, or amusing, these sculptures are experienced first as physical phenomena (as formal and sensuous objects) before specific contents may be ascribed to them.
Masters of Modern Sculpture
The following films from the acclaimed series Masters of Modern Sculpture (Blackwood Films) will be available on video for individual viewer access at a special viewing station set up in our Reading Room. Each film lasts approximately one hour.
Part One: The Pioneers
Presenting Rodin, Degas, Rosso, Maillol, Lehmbruck, Brancusi, Epstein, Laurens and others demonstrates how, in just over two decades, the first modern sculptors undermined centuries of sculptural conventions.
Part Two: Beyond Cubism
The 46th Annual Student, Staff, Faculty and Alumni Exhibition
Our annual celebration of the creativity of students, staff, faculty and alumni of Dalhousie, Daltech, and King's College, in painting, graphic art, photography, mixed media, sculpture and crafts. We welcome your artwork for this exhibition, which makes no distinction between amateurs and professionals. Entries will be accepted during Gallery hours, from 15 November to 28 November. Pick up your entry form after mid-October at the Gallery's front desk.
Four Films with a Marxist Edge
In conjunction with the University of King's College's Contemporary Studies series on Marxism, we present four films that give a glimpse of the range and international scope of Marxism this century. While the first two films bear the mark of official government policy, Umberto D and The Three Penny Opera show Marxism's influence on social attitudes and aesthetics in working Western democracies.
17 November - Enthusiasm!
Dziga Vertov, USSR (Russia), 1931, 79 minutes
Photography, Film and Cultural Representation
This film series has been prompted by issues arising from the exhibition From the Background to the Foreground: the Photo Backdrop and Cultural Expression.
20 October - Notman's World
Albert Kish/NFB 1989, 29 minutes
and
Fixed in Time
Shelagn MacKenzie/NFB 1980, 20 minutes